In 2003 and 2004 I photographed vegetables and farm animals. This
departure from my work as a people photographer in the city allowed
me to mature artistically, emotionally and come to terms with the
recent and past deaths in my family. The quiet environment forced me
to sit still, wait, study, and then see photographs.
Initially, I photographed on beautiful days and the beautiful
aspects of the animals and vegetables in an effort to escape the
noise and confusion in my mind. But as I continued my concept of
beauty became more complex. I saw the beauty in a wintry day or in
a vegetable well past peak, I looked closer at what I originally
viewed as a monotone sheep, and I sat at eye level with the
chicken. I felt that I had been given a gift, of patience, time,
peace and an acceptance of myself and the environment as is, rather
than covering my world with the beauty of perfection. A photograph
of a perfect day can be beautiful, but seeing reality has more beauty
and grace even on at cold, wet and wintry day.